REVOLT
Note: This edition was only run as an artist’s proof and has varied ink smudge from the press. The edition was printed in the Letterpress Studio at Penland School of Craft in North Carolina, in a workshop called Down and Dirty Letterpress.
More by Aaron Hughes
Water is Life
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End Grain (Red to Yellow)
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Posts by Aaron Hughes
Sarah Ross and Dave Pabellon On Printing the Long Term and the Prison + Neighborhood Arts Project
September 14, 2018
In 2016, I was humbled to be asked to teach at Stateville Prison with the Prison & Neighborhood Arts Project (P+NAP), a program that connects teaching artists and scholars to…
On Cutting up Military Uniforms in the San Francisco War Memorial Veterans Building: An interview with Combat Paper founder Drew Cameron
July 13, 2016
Riparian Sheet created by Drew Cameron at the Veterans Memorial in San Francisco, 2016. On June 9th, the San Francisco Arts Commission Galleries hosted a one-day public Combat Paper and…
On Love & Transformation Despite the Violence: An Interview with Kabul Graffiti Artist Kabul Knights
July 25, 2016
Peace Seekers by Kabul Knights Yesterday, I opened my email to read about the deadly attack on the Hazara demonstration on July 23rd in Kabul, Afghanistan. I had received a message…
Iraq Veterans Against the War: Drop the MIC & Save the VA
November 18, 2015
In the midst of what appears to be growing global violence Iraq Veterans Against the War (IVAW) has shifted focus from ending specific wars to ending the rise of U.S. militarism and…
