I’m pleased to share the publication of an article that I wrote for the New Republic magazine, which you can read here. This piece covers some of the experience that…
I was recently invited to participate in the People’s Budget Office, a participatory project by facilitating artist Phoebe Bachman and Mural Arts Philadelphia. A cohort of four different Philly artists…
Fucking Cancelled is a podcast from Montreal, Canada, hosted by Clementine Morrigan and Jay Lesoleil, which deals with what the hosts call the Nexus: the synthesis of identitarianism, social media…
I wrote a feature article about Congo’s Shinkolobwe mine for the excellent magazine of African news and culture The Continent. Check it out to read a short summary of the…
If “the strike was broken” every time you read about a worker’s struggle that happened on the soil you’re standing on, you might begin to think that every strike has always been broken, and the horizon of collective action and potential for true solidarity might seem like an ideological fantasy…
I got to have a fun and wide-ranging conversation with friend and colleague Joey Alone of the Crime Pays But Botany Doesn’t podcast. We talked about Congo, conservation, the sorry…
After many years of people asking if I had any shirts of many of my graphics, I’ve finally launched a new shirt store! I’m testing things out on Bonfire, starting…
I gave a lecture on my research into the legacy of the Shinkolobwe uranium mine in DR Congo for the Hanford Challenge Project. Hanford is the name of the military…
I traveled to Tulsa in October of 2022 to collaborate on this mural with an artist that I’ve admired for a long time. Kathleen Neeley is an illustrator and printmaker…
Over the past six weeks my Graphic Liberation! exhibition has been housed at the Opalka Gallery at Russell Sage College in Albany, NY. A set of interchangeable and interactive projects…
Street Roots is Portland, OR’s street newspaper, sold across the metro area by people experiencing houselessness. It’s also reliably one of the best publications in the city hands down on…
In June I travelled to the town of Selkirk, Treaty 2 territory, Manitoba, Canada, to paint a mural of the endangered Piping Plover. These charming small shorebirds are threatened by…
A review of “Remaking the Exceptional” at the DePaul Art Museum by Brian Holmes Chicago is notorious for police violence against people of color – including arbitrary executions on…
My exhibition We Want Everything closes this Friday at the Reinberger Gallery at the Cleveland Institute of Art! I’m really proud of this show, in many ways it is the…
Across the USA, a wave of union activity is hitting the ubiquitous storefronts of the Starbucks brand. The baristas and “partners” calling for union elections are on the frontline of…
In January and February my Graphic Liberation exhibition was installed at George Mason University in Fairfax, VA. It was part of a set of installs of an evolving body of…
In late 2020 I was contacted by Brage Aronson, who runs the small Norwegian record label Plateselskapet No. 13 (“Record Company #13). He was working on a new release and…
A new entry in the ongoing Endangered Species Mural Project just wrapped up in the small village of Shoshone, CA, on the edge of Death Valley. The mural is on…
Take a virtual tour of the entire Fauna installation in Pittsburgh…
This conversation with Judy Seidman took place over zoom on March 9th, 2022. It is part of an ongoing series of conversations I’ve been holding with political graphics producers under…