01/26/2008 3:00 p.m. – 5:00 p.m.
Many contemporary artists are using craft to make diverse and timely political statements. Because creating crafts is so often social and communal, they can play a vital role in the public sphere. The speakers examine the role of craft in forming national identities, especially in times of political turmoil or war; notions of patriotism; feminism and the domestic sphere; and unconventional economic models. Five artists will present projects and discuss their work. By linking the act of production and handmaking in the public realm to ideological issues of agency, participants ask how art makes political subjects. Panelists include Liz Collins, artist/designer; Sabrina Gschwandtner, artist/curator; Cat Mazza, artist/activist; and Allison Smith, visual artist. Moderator: Julia Bryan-Wilson, art historian and critic, University of California at Irvine.
This program is presented concurrently with the release of the February issue of Modern Painters magazine, within which a roundtable discussion by the panelists is featured. Participants of this program have also collaborated on a large-scale knit banner to be unveiled at the event. Following the panel discussion, audience members are invited to an informal craft reception in which panelists will present tactile examples of the materials, machinery, and processes they use in their work.
This lecture is co-sponsored by Modern Painters and Artists & Audiences Exchange, a public program of the New York Foundation for the Arts.
Theresa Lang Community and Student Center, Arnhold Hall, 55 West 13th Street, 2nd floor
$8; free to all students and New School faculty, staff, and alumni with ID
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