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This is a print based on a linocut I made while in residence at Casa Tres Patios in Medellín, Colombia. The goal was to make a print that was more dreamy and sensual than my normal work, incorporating some of my usual themes but in a less explicit manner. How explicit it ended up is a matter of debate.
Handmade from a linocut print on tracing paper and three rubylith layers, and printed by me at the Flight 64 studio in Portland, OR.
I wrote a feature article about Congo’s Shinkolobwe mine for the excellent magazine of African news and culture The Continent. Check it out to read a short summary of the…
I got to have a fun and wide-ranging conversation with friend and colleague Joey Alone of the Crime Pays But Botany Doesn’t podcast. We talked about Congo, conservation, the sorry…
Here are a few new banners and signs from recent protest and picket activity in Portland, OR. My partner Erica Thomas designed and painted the “On Strike” and “Solidarity” ones,…
I gave a lecture on my research into the legacy of the Shinkolobwe uranium mine in DR Congo for the Hanford Challenge Project. Hanford is the name of the military…
