No portfolios found.
I’m pleased to share the publication of an article that I wrote for the New Republic magazine, which you can read here. This piece covers some of the experience that…
El Machete Illustrated
I spent three weeks in May in Lubumbashi, the second largest city in DR Congo. The city was founded in 1910 as a commercial garrison for the nearby Etoile du…
In collaboration with Arcade, and to mark 20 years since the largest demonstration in British history against the 2003 illegal invasion of Iraq and coinciding with Peoples’ Coalition occupation of…
I wrote a feature article about Congo’s Shinkolobwe mine for the excellent magazine of African news and culture The Continent. Check it out to read a short summary of the…
I got to have a fun and wide-ranging conversation with friend and colleague Joey Alone of the Crime Pays But Botany Doesn’t podcast. We talked about Congo, conservation, the sorry…
Houston-based artist and Justseeds member Kill Joy gave an inspiring Zoom talk on February 1, 2023 for the University of Wisconsin-Milwaukee Artist’s Now series. Kill Joy’s talk was 60 minutes…
at the Wassaic Project (Wassaic, NY) inconjuction with the No Misery Can Tell, No Word of Farewell exhibition December 3, 2022 – March 18, 2023 Last Fall I was invited to the…
Justseeds artist Roger Peet is co-curating, with Erica Thomas, a show of new works by Portland, Oregon artists addressing the theme of wildfire smoke, and what it means to live…
I’m looking forward to presenting about my work on Congo’s Shinkolobwe mine (source of the uranium that powered the Manhattan Project) at Central Washington University! I will be speaking with…
I will be presenting some of my research on the history of the Shinkolobwe mine for the ongoing Nuclear Waste Scholar Series organized by Hanford Challenge, a Washington-based group focusing…
I have a solo show of large and not-so large work on view for the month of November 2022 at Pain Sugar Gallery in Riverside, California. The show includes a…
No exhibitions found.